We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Beneath The Bark

by Jim Powell

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    The digital album includes two extra tracks not included on the CD - solo acoustic versions of the songs 'I Never Spoke Your Name' and 'The Sun's Slipping By'.


    'Beneath The Bark' is the first album I've ever made where I knew ahead of time what songs I was going to put on the record. When I was in the middle of mixing my last album 'A Thirsty Sea', as a means to procrastinate, I started planning out my next two albums. 'Beneath The Bark' was one of those two albums, and I chose the songs because they were (mostly) straightforward story songs. I didn't realize until later that all of the songs had regret at the heart of the story. Other than 'Bert Allen', which is my interpretation of a true story, the rest of the songs are fictional. I don't write about myself, at least not directly. Have a listen to Greg Brown's introduction to the song 'Lord I Have Made You In A Place In My Heart' on the live album 'In The Hills Of California' for the best description I've ever heard about the intersection of songwriting and fiction. While you are at it, have a listen to the entire album - it's great!
    Because the album was planned ahead of time, I was able to be more consistent with the production. Although virtually all of my songs start out as fairly folky acoustic guitar and vocal arrangements, I really like both a good, strong rock rhythm section and plenty of electric guitars. Which is why, when forced to name a genre for my songs, I usually go with folk-rock. I wanted the album to have a live sound, even though I'm overdubbing everything - I tried to approach the recording of this record as if a band was set up in the studio, and they had to get the basic tracks down quickly, so no time for tweaking the sounds. On the other hand, I tried to work in every guitar and amp that I own, plus my mandolin and bouzouki and some keyboards, so maybe I didn't quite follow through on my idea...

    Please enjoy, loudly! But don't damage your hearing - it isn't worth it. Well, Lilly Hiatt makes a good case for hearing damage on her song 'Records', but that's probably not a good long term plan. Anyway, on to the next album (see above)!
    ... more
    Purchasable with gift card

      $7 USD  or more

     

  • Compact Disc (CD) + Digital Album

    Why rent music when you can own it? Plus, you get the back cover!

    Includes unlimited streaming of Beneath The Bark via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      $12 USD or more 

     

1.
We fell apart in the shadow of a storm moving fast; The clouds were still drifting when our lives they had passed From our home where the words and our actions relieved The burden of living all alone and bereaved. Shadows are forming But the sun’s slipping by Darkness is falling Even shadows will die And the ground it was covered with leaves from the trees, Torn from the branches and lost in the breeze That blew in from the ocean, foggy and wet, Obscuring the path that resolved all our debt. Where our bodies lay dreaming the songs of the dead, No one would listen to the thoughts in our head. But the wind was reflecting in the branches above The songs we were dreaming: the shadows of love.
2.
Your cotton dress was something… It clung to you like one Who never knew her parents, But madly loved her son. You ragged little poser I loved you long ago But memories fade and I’m afraid We’ll never really know Sons were never mentioned; We never had a child. I picked for you a lily, But a lily that grew wild. Sunsets fade and falter Like the color in your hair The copper now has faded And I cling to what’s not there Your cotton dress was something… My hands upon your hips, A flower in your hair, And a lie upon our lips.
3.
The cost was mounting The coast was near The price was lonesome as could be A wallet lifted The purse strings failed And silver fell upon the sea The ships were open The gaping holds Held ransoms lonesome as could be The waves were towering The tides were strong As darkness fell upon the sea Heart rate pounding Muscles tearing As I was running towards your door And when you noticed The sea was nearing The waves would crash forever more And I would never reach the shore I paid the piper In semi-quavers The drones were lonesome as could be All ears were open The tune was failing As notes were falling to the sea
4.
All the branches have fallen, The winds have abated, I’m lonely here thinking of you - By the rippling water In the shadow of fell sides, I’m wondering what’s left to do. The blush on the bloom Of an old English rose The skies growing grey with the tears The water now flowing The rivers are filling The beds where the roses once grew There’s a path ‘round the water, Up a cleft in the valley - At the top there’s a choice to be made. But the choices are empty In the pale light of evening As the faces and memories fade. At the top of the mountain, As the stars fill the chasm That lights up the space before dawn - And the heart you once mentioned, There’s an ache and a tension That pulls me away and I’m gone. I first heard your footfall By Ennerdale Water; A cold rainy day I recall. The blush on the bloom Of an old English rose Climbing a crumbling wall.
5.
Alone on a bed With echoes and dust, The night stretched out before him. The voices he’d heard, And the sound of the trucks Out there on the Arrow Highway. He got up to leave, And he shut off the lights – There was nothing left here for him. He got in the car And he turned on the lights – Headed out on the Arrow Highway The ghost of a father The ghost of a son His haunted head never rested He’d paid quite a cost For he’d gambled and lost On the love of a woman he’d tested He pulled to the side And he lit up a smoke, The yellow lines stretched out before him. Avoiding the thought Of the end of the road – Somewhere on the Arrow Highway. He stood on a ridge With the city below His family there before him Dead in the ground Or lost to him now Somewhere on the Arrow Highway He sat in the desert, A gun in his hand, A bible there before him. In the cover it read In a shaky blue hand: “You’ll find me on the Arrow Highway…”
6.
Bert Allen 06:06
I hired Bert Allen to walk down the flume That carried the timber to the railhead below In Felton. He seemed to blend in with the trees: Tall, red and stocky, sun burnt and slow. But his work it was poor when he took to the drink. Twice I had found him sprawled out on the planks. In the flume, there below him, the logs backing up - Two warnings I gave him and I never asked thanks. The third time I fired him and didn't think twice. There's plenty like him, more willing to work. Last that I'd heard he was hauling cord wood From a timber claim down to the Boulder Creek flume. I was walking the flume and I heard a man shout - It was Bert, he was sober and madder than hell. He pointed, then ran towards me, legs pumping hard. If he caught me I knew I'd end up there, as well. I'm a small man, a slight man, I had fear in my veins - As he gained on me curses and threats I could hear. I grabbed at my pocket and pulled out my gun. I turned and point blank let that pepper pot fire. I watched as he staggered, then fell to the ground. No words, just a groan and I knew he was dead. I kicked him on over and looked for his eyes, But all I could see was the dust in his hair. They buried him quickly and I was absolved. No kind words or thoughts did I hear for the man. And his marker looked like an old stump in the ground. I went once to look and my God how I ran... The flumes are all empty, these mountains are bare. The mute stumps are left and the workers all gone. I still see him sprawled in the dust of the street - I still hear his curse in the depths of my mind.
7.
Lullaby In G 03:39
I melt with you in the warmth of falling stars, That tear in two obscuring clouds and rusting bars. The bars that mark a prison cell that holds a thought - The dogs that bark, guarding loneliness that brought no peace. The foreign tongue that broke the silence of the skin; The songs once sung, waking words and stirring wary winds. The winds that slip beneath the breath that carries life away Upon a ship, lost at sea, no time to pray for peace. The boiling sea, heated from the fallen stars beneath The bruise to be, upon the skin that slowly, sadly weeps For silent years, welling up and bursting at the sound Of empty tears. A lover sleeps beneath the ground in peace.
8.
I missed you on the water, Even though I was a sailor - I missed you even more upon the land. There are moments you can pardon And some things to never mention, But there’s one thing that I’ll never understand… Fire upon the water And the waves repel the wishes The wind unwinds and leaves us in the cold I fell upon your kindness Like a shadow on the water - I watched the ripples fade into the shore. Drowning in the moment Wasn’t pleasant as was promised, But there’s one thing that we’ll share forever more… The rain instead of falling Was responding to the question; Mortar mixed with ashes asked the same. From the moment lying lifeless, To the seconds left to answer, There is one thing left for us to try to tame…
9.
I never met your mother In that house in Santa Fe. The road to Albuquerque Was just a lonely song away. And there’s little I remember But the sharp and snowy peaks, The timeless, tired evenings And your wind-burned fading cheeks. A sand storm on the desert So far from what I’ve known High up in the mountains You lay your body down And I wanted to learn Spanish So that I could speak with you – To understand your partings, To share the ways you knew, To see you braid your hair In the early morning sun, Before the winds could dry The air, your lips undone. And I don’t know the number Of the road to Santa Fe. And I don’t know the reasons – The bus that took you away So far from Albuquerque, So far from touch, from shame. I never did learn Spanish, And I never spoke your name.
10.
With the cold winter wearing All the days and the tearing At the bark of the trees by the wind - While my feelings are waning, And my blood’s slowly draining, As I sit at the foot of your bed - I would sing to you gently A song full of sorrow But the days are too short for that now In a cold northern village, Where my father once married, And his father lies under the sod - I once thought you would carry Our child and we’d tarry A life-time, like those who have gone. Two wars and the seasons Passing by and the reasons To remain here are bitter and spent I remained here – I’m bitter and spent With the stone of the fences Falling down and my senses, Like this village, so empty and cold - Would I never had known you, I should still ever mourn you, As I trace out your name on the stone.
11.
Staring through a windshield bruised with distance, Watching raindrops wash the time away. Fifty years of wandering the left coast - Fifty years of wondering what to say. And I never really knew me as I stumbled through the day… I think I’ve grown to used to lonely I think I’ve grown to used to lonely I tried to settle down just west of Portland, And leave my restless feelings on the road. But takes more than hanging up the car keys And that takes more than walking in the rain Dreaming of the desert – the Mojave from a train… I ended up too calm to be collected The Columbia’s water washing my time away. Fifty years of climbing up the Grapevine - And fifty years of shutting out the light. 101’s my 66 – the coast range there in sight…
12.
The wind blows harsh, love - The wind blows cold. I cannot stay here Amongst this dust and mould. A voice is calling Across the empty harbor, And I must listen Before I leave this shore. The snow is falling, The drifts are deep; But I can’t feel it, Never in this sleep. For I am colder Than this winter’s day, And I must leave now For I cannot stay. Farewell my lover, Farewell my friend, For every journey Must have an end. And I must give up These bones and breath. The wind blows harsh, love, With the smell of death.
13.
We fell apart in the shadow of a storm moving fast; The clouds were still drifting when our lives they had passed From our home where the words and our actions relieved The burden of living all alone and bereaved. Shadows are forming But the sun’s slipping by Darkness is falling Even shadows will die And the ground it was covered with leaves from the trees, Torn from the branches and lost in the breeze That blew in from the ocean, foggy and wet, Obscuring the path that resolved all our debt. Where our bodies lay dreaming the songs of the dead, No one would listen to the thoughts in our head. But the wind was reflecting in the branches above The songs we were dreaming: the shadows of love.
14.
I never met your mother In that house in Santa Fe. The road to Albuquerque Was just a lonely song away. And there’s little I remember But the sharp and snowy peaks, The timeless, tired evenings And your wind-burned fading cheeks. A sand storm on the desert So far from what I’ve known High up in the mountains You lay your body down And I wanted to learn Spanish So that I could speak with you – To understand your partings, To share the ways you knew, To see you braid your hair In the early morning sun, Before the winds could dry The air, your lips undone. And I don’t know the number Of the road to Santa Fe. And I don’t know the reasons – The bus that took you away So far from Albuquerque, So far from touch, from shame. I never did learn Spanish, And I never spoke your name.

about

Twelve different tales of regret - mostly fiction but all for real - told in a folk-rock style. These are all stories about what goes on 'Beneath The Bark'.

credits

released August 6, 2021

Written, performed and produced by Jim Powell. No musicians were harmed in the making of this recording.

license

all rights reserved

tags

about

Jim Powell Boulder Creek, California

I am a songwriter & guitarist working out of my home studio in beautiful Boulder Creek, California. My arrangements use a mix of voice, acoustic and electric guitars, bass and drums, along with the occasional mandolin, bouzouki, or keyboard part.

contact / help

Contact Jim Powell

Streaming and
Download help

Report this album or account

Jim Powell recommends:

If you like Jim Powell, you may also like: